The C414 XLII Condenser Microphone from AKG is a large-condenser microphone that’s a great choice for capturing subtle nuances and crystal clarity in vocals and instruments. Built with your audio needs in mind, the C414 XLII is the result of years of listening to feedback from sound engineers. Taking cues from the previous models, the C414 is designed to be the ideal tool for recording studios and live sound applications.
Designed as the successor of AKG’s famous C414 B-TL II mic, the C414’s also sonic signature combines a slight presence boost and an impressive spatial reproduction that’s reminiscent of AKG’s legendary C12 microphone from 1953, which enables lead vocals and solo instruments to be placed even in a dense mix.
C414 XLII offers 9 pickup patterns that enable it to choose the perfect setting for every application. The unrivaled up-front sound is also well known for distant miking applications like classical music recording or drum ambiance miking. All controls can be easily disabled to minimize complications during live sound use, and the peak hold LED displays even the shortest overload peaks. This mic has 3 switchable bass-cut filters as well as 3 pre-attenuation levels.
Built with high-quality components and packed with features, the C414 XLII is rugged enough to withstand long-term use while delivering consistent, quality performance. Its electronic circuitry has been redesigned for a completely linear transfer of all electrical parameters’ characteristics. A combination of extremely low self-noise and heightened headroom results in a dynamic range of about 134 dB (A-weighted).
AKG C414 XLII Features
- AKG's legendary 1" edge-terminated large diaphragm sound
- Nine different polar patterns for the perfect sound
- Lock Mode: for live-sound operation all controls can be disabled easily
- Peak Hold LED: even displays shortest overload peaks
- High sensitivity and extremely low self noise
- High sound pressure level capability and wide dynamic range
- Completely immune to electrostatic and electromagnetic interference
- Three switchable bass cut filters and three pre-attenuation
- All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions
- Elastic capsule suspension greatly minimizes structurallytransmitted noise from chassis vibration
- Pop filter, wind screen and spider-type shock mount included
- C414 XLII Condenser Microphone1
- H85 Universal Shock Mount1
- Metal Carrying Case1
- PF80 Pop Filter1
- W414 Windscreen C4141
- Transducer TypeCondenser
- Polar Patterns (selectable)Cardioid, Wide Angle Cardioid, Hypercardioid, Figure-8, Omnidirectional
- Frequency Response20 Hz - 20 kHz
- Output Impedance200 ohms
- Sensitivity23 mV/Pa
- Equivalent noise level6 dB-A
- Signal to Noise88 dB-A
- Preattenuation Pad-6; -12; -18 dB
- Bass cut filter160; 80; 40 Hz
- Powering Interface:
- Voltage: 44 to 52 V
- Current: 4.5 mA
- Connector3-Pin XLRM
- Dimensions (L x W x H)38 x 50 x 160 mm
- Net Weight300 g
About Condenser Microphones at Sound Productions
Achieve professional polish to your studio sound with condenser microphones from Sound Productions. A condenser microphone uses a capacitor that converts sound vibrations into electric currents. It is characterized by increased sound sensitivity than a dynamic mic, enabling it to capture more natural, detailed audio from vocals and instruments.
Use a large-diaphragm condenser mic (sometimes called a “capacitor mic”) to optimize the sound of vocals, acoustic guitar, and ambient room audio. Alternatively, choose a small diaphragm condenser mic (or “pencil mic”) for acoustic instruments including guitars, classical instruments, cymbals, and drum overheads. The smaller capsule and lightweight build make it easy to place perfectly in almost any miking application, while the consistent polar pattern makes a pair of small-diaphragm condenser mics the perfect choice for stereo miking.
Compared to the other popular option of dynamic microphones, condenser mics are louder, pick up a wider frequency response, and enjoy an expansive dynamic range—all aspects that make them ideal for studio recording.
