Allen & Heath’s Avantis mixing console features the renowned 96kHz XCVI FPGA engine 64 full processing inputs, 12 stereo FX returns, 42 configurable busses, variable bit depth, expanded mix headroom, 0.7ms latency, and dPack option for additional dLive processing. Next-generation technology and parallel virtual processing cores power 88x42 channels (including FX returns) at a sampling rate of 96kHz.

Avantis’ large continuity UI screen streamlines the interplay between physical controls and displays, allowing you to achieve tactile precision over the mix. Faders react to touch by highlighting active channels. The FastGrab tab allows you to instantly adjust parameters (aux sends, EQ, compressor, FX) on specific channels. Channel rotaries let you change gains or pans.

Add effects that create your unique sound. Avantis offers 12 dedicated FX rack slots, with a stunning FX suite that includes reverbs, delays, and classic modulation effects. Offering one slot per effect, each slot has a dedicated stereo return to optimize input channel availability.

Customize your mix to fit your specific system. Avantis mixing consoles are well-equipped for local connectivity, boasting 12 analog XLR inputs and outputs each, as well as AES (Stereo In, 2x Stereo Out). Two additional I/O Ports accommodate dLive option cards, including Dante (64x64 and 128x128), Waves, gigaACE, MADI, and more. Connect any A&H expander hardware via the SLink connection. This flexibility makes Avantis models ideal for front-of-house or monitor splits as well as multitrack recording. Avantis’ all-metal build is simultaneously durable and lightweight, making it a great choice for professional audio setups that take a beating—even touring setups that are on the move.

Take control with Avantis’ integrated apps and available controllers. Avantis Director software, MixPad app, and Custom Control app are compatible. Use the Avantis Director app to edit online and off. A range of remote controllers and GPIO interfaces are also available, with up to 48 IP remote controllers over a standard TCP/IP network. With these tools at your disposal, ideal applications for Avantis include IEM mixing on stage, extra fader banks at FOH, and local control in breakout rooms.

Allen & Heath Avantis Features

96kHz 64 channel / 42 bus digital mixer
XCVI FPGA core with ultra-low latency (0.7ms)
Fully configurable mix bus architecture
Full metal chassis
Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows
12 RackExtra FX slots with dedicated stereo returns
16 DCAs
Dual 15.6" Full HD capacitive touchscreens with gesture control
AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones
Fully assignable layout
144 fader strips (24 faders, 6 layers) with optional dedicated master section
SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System
12 analog XLR Inputs / 12 analog XLR Outputs
1 Stereo AES In / 2 Stereo AES Out
2 I/O Ports, both capable of 128x128 operation at 96kHz - for optional cards inc. Dante, MADI and gigaACE
User configurable rotary controls
24 assignable SoftKeys
Comprehensive metering with multi-point peak detection
Internal storage for stereo playback and recording
USB stereo playback
BNC Word Clock

Avantis Digital Mixer1

Inputs
- Mic/Line XLR Inputs: Balanced XLR, +48V phantom power
- Mic/Line Preamp: Fully recallable
- Input Sensitivity: -60 to +15dBu
- Analog Gain: +5 to +60dB, 1dB steps
- Pad: -20dB Active PAD
- Maximum Input Level: +30dBu (PAD in)
- Input Impedance: >4kΩ (Pad out), >10kΩ (Pad in
- Mic EIN: -127dB with 150Ω source
- Phantom Power Indication: Per socket, internal or external phantom power sensing, triggered at +24V
- Digital Inputs
  - AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω
  - SRC range 24 bit, 32k - 192kHz, with bypass option
Outputs
- Analog XLR Outputs: Balanced, Relay protected
- Output Impedance: <75Ω
- Nominal Output: +4dBu = 0dB meter reading
- Maximum Output Level: +22dBu
- Residual Output Noise: -95dBu (muted, 22-22kHz), -90dBu (muted, 0-80kHz)
- Digital Outputs
  - AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω
  - 96kHz sampling rate, globally switchable to 48kHz, 44.1kHz
System
- Measured balanced XLR In to XLR Out, 22-40kHz, minimum Gain, Pad out
- Dynamic Range: 109dB
- System Signal to Noise: -92dB
- Frequency Response: 20Hz - 30kHz (+0/-0.8dB)
- THD+N (analogue in to out): 0.0015% @ +16dBu output, 1kHz 0dB gain
- Headroom: +18dB
- Internal Operating Level: 0dBu
- dBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)
- Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)
- Meter Peak Indication: -3dBFS (+19dBu at XLR out)
- Sampling Rate: 96kHz
- Operating Temperature Range: 0 deg C to 40 deg C; 32 deg F to 104 deg F
- Mains Power: 100-240V AC, 50-60Hz, 150W max
- USB Audio Playback
  - Mono/stereo .WAV files,
  - 16/24bit, 44.1/48/96kHz
  - MP3 files
  - FLAC files
- USB Audio Recording
  - Stereo .WAV files,
  - 24bit 96kHz
Dimensions and Weights (WxDxH)
- Unboxed: 36.1x24.7x10.6" (917x627x269mm), 57.4 lbs (26kg)
- Boxed: 43.3x33.5x16.7" (1100x850x425mm), 75 lbs (34kg)

More about Allen & Heath's Avantis Mixing Consoles

Allen & Heath’s Avantis mixing consoles feature the renowned 96kHz XCVI FPGA engine 64 full processing inputs, 12 stereo FX returns, 42 configurable busses, variable bit depth, expanded mix headroom, 0.7ms latency, and dPack option for additional dLive processing. Next-generation technology and parallel virtual processing cores power 88x42 channels (including FX returns) at a sampling rate of 96kHz.

A range of remote controllers and GPIO interfaces are also available, with up to 48 IP remote controllers over a standard TCP/IP network. With these tools at your disposal, ideal applications for Avantis include IEM mixing on stage, extra fader banks at FOH, and local control in breakout rooms.