At the heart of the dLive system is the Allen & Heath dLive AH-DLIVE-CDM64-RUFX MixRack Stage Box, capable of 128×64 channels of pristine sounding 96kHz audio.
The Allen & Heath dLive AH-DLIVE-CDM64-RUFX MixRack Stage Box features the same mix engine – 128 input channels and 64 mix outputs with a configurable 64-bus architecture, class-leading 0.7ms latency and phase-aligned signal paths for maximum flexibility in all applications – but differ in the number of onboard analog I/O, redundancy options and digital I/O card slots.
The acclaimed preamp design, optimized for transparency and clarity, combined with our unique Active PAD circuit for consistent performance regardless of source, delivers the highest quality analogue signal to the MixRack’s XCVI processing core.
In the digital domain, the 96kHz signal path employs variable bit depth throughout for optimal noise performance and precision with virtually infinite dynamic range thanks to the 96-bit accumulator.
Allen & Heath dLive AH-DLIVE-CDM64-RUFX Features
- 64 mic/line inputs
- 32 line outputs
- 1 I/O Port
- dLive AH-DLIVE-CDM64-RUFX MixRack Stage Box1
- Inputs
- Mic/Line XLR Inputs: Balanced XLR, +48V phantom power
- Mic/Line Preamp: Fully recallable
- Input Sensitivity: -60 to +15dBu
- Analog Gain: +5 to +60dB, 1dB steps
- Pad: -20dB Active PAD
- Maximum Input Level: +30dBu (PAD in)
- Input Impedance: >4kΩ (Pad out), >10kΩ (Pad in)
- Mic EIN: -127dB with 150Ω source
- Phantom Power indication: Per socket, internal or external phantom power sensing, triggered at 24V
- System
- Measured balanced: XLR in to XLR out, 20-20kHz, minimum Gain, Pad out, signal @ 0dB (meter)
- Dynamic Range: 110dB
- System Signal to Noise: -92dB
- Frequency Response: 20Hz - 30kHz +0/-0.8dB
- THD+N (analog in to out): 0.0015% @ +16dBu output, 1kHz 0dB gain
- Headroom: +18dB
- Internal operating Level: 0dBu
- dBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)
- Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)
- Meter Peak indication: -3dBFS (+19dBu at XLR out)
- ADC: 24-bit Delta-Sigma
- DAC: 24-bit Delta-Sigma
- Latency: 0.7 ms (MixRack XLR in to XLR out, Input to Mix); -90dBu (muted, 20-40kHz) + 5 samples, Surface to Mixrack (GigaACE hop); + 8 samples, DX32 to Mixrack (DX hop)
- Operating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)
- Mains Power 100-240V AC, 50-60Hz, 175W max
- Outputs
- Analog XLR Outputs: Balanced Sampling Rate 96kHz +/- 20 PPM
- Output Impedance: <75Ω
- Nominal Output: +4dBu = 0dB meter reading
- Maximum Output Level: +22dBu
- Residual Output Noise: -92dBu (muted, 20-20kHz)
- Dimensions and Weights (WxDxH x Weight)
- Unit: 481.6x309x354.5mm (19x12.2x14") x 13.5kg (29.7lbs)
- Boxed: 600x430x520mm (23.7x17x20.5") x 16.5kg (36.5lbs)
About Stage Boxes at Sound Productions
Streamline and expand your live sound setup with stage boxes from Sound Productions. A stage box is a device that interfaces between sound source equipment (such as microphones, instruments, or speakers) and a mixer or mixing console via a cable snake. Stage boxes add more connectivity options right on stage, providing a central location to connect all your sound sources without having to run a cable to a distant input or output.
A stage box is an ideal piece of gear for sound reinforcement, live performances, complex productions, touring professionals, and recording studios. Stage boxes come in a wide range of options, varying in size, style, and functionality depending on your project’s specific needs. Some are designed to be wall- or rack-mountable for permanent installations, while others are portable, including handles for easy transport and repositioning and even rubber bumpers to protect the housing from wear and tear. Additionally, stage boxes come in analog and digital versions to complement your preexisting sound setup.
