Shure 565SD Cardioid Dynamic Microphone

Vocal microphone provides excellent speech reproduction onstage due to its cardioid pickup pattern. It features a wind and "pop" filter for vocals, a wire-mesh front grille, dual-impedance operation, and a silent magnetic on and off switch.

The 565SD Classic Unisphere® Vocal Microphone is a dual-impedance, unidirectional dynamic microphone famous for its spot on the Woodstock stage.

It features highly effective wind and "pop" filter for vocals and a durable, wire-mesh front grille. Shipped connected for low-impedance operation, the 565SD provides excellent vocal or speech reproduction onstage, and can also be used with public address systems.

Shure 565SD Features

• Versatile, high-quality microphone with sound characteristics similar to the SM58®
• Selectable dual-impedance operation
• Silent magnetic reed on/off switch with lock-on option

• Shure 565SD Cardioid Dynamic Microphone1
• A25D Microphone Clip1
• 25' XLR to XLR Cable1

• Transducer TypeDynamic
• Polar PatternCardioid
• Frequency Response50 Hz - 15 kHz
• Rated Output Impedance150 ohms (250 ohms actual)
• Sensitivity -56 dBV/Pa 1.6 mV @ 1k
• ConnectorThree-Pin Professional Audio Connector
• HousingChrome-plated die casting with steel mesh grille
• Weight0.298 kg (0.656 lbs)

About Dynamic Microphones at Sound Productions

If you’re looking for an all-purpose, heavy-duty microphone, look no further than a dynamic microphone. Equally outstanding in both the studio and live on stage, dynamic mics are an affordable, versatile, and classic option for nearly every miking application. Popular uses include live performances, studio recordings, man-on-the-street style interviews, as well as podcasts that aim for a professional “radio voice” polish.

Dynamic microphones work using a coil attached to a magnet. When sound waves cause the coil to vibrate up and down against the magnet, an electromagnetic current is induced; in simple terms, this turns the sound into an electronic signal to be channeled into a recorded version or—in the case of live sound—into a speaker to distribute the sound to the audience.