The BRH50M headset is intended for various broadcast applications such as studio production, theater production, corporate event production, electronic field production, conferencing and intercom applications or event production.
Shure BRH50M Features
- Closed-back, supra-aural earcups with low-profile, on-camera design
- High performance dynamic microphone with cardioid polar pattern and frequency response delivers natural, intelligible voice reproduction optimized for on-air broadcast
- Fully adjustable headband for comfortable, ergonomic fit
- Boom microphone pivots 270 degrees for precise positioning with left or right-side wear
- Single-side, detachable cable with 3-pin XLR / ¼" connectors. Kevlar® reinforced for increased durability
- Legendary Shure durability designed under rigorous quality standards to withstand the demands of everyday, professional use
- User-replaceable ear pads and windscreen provided for long product life
- BRH50M Dual Sided Broadcast Headset1
- Windscreen1
- Net Weight (without cable)208 g (7.4 oz.)
- Operating Temperature 18 to 60 °C (0 to 140 °F)
- Storage Temperature −29 to 74 °C (−29 to 165 °F)
- Relative Humidity 0 to 95%
- Microphone
- Type: Dynamic, neodymium magnet
- Polar Pattern: Supercardioid
- Frequency Response: 40 to 16,000 Hz
- Output Impedance: 250 Ohms
- Sensitivity (@ 1 kHz, open circuit voltage): -60.0 dBV/Pa (1 Pa - 94 dB SPL)
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 1 (red wire) with respect to pin 2 (black wire)
- Headphone
- Transducer Type: Dynamic, Neodymium magnet
- Driver Size: 40 mm
- Frequency Range: 20 to 20,000 Hz
- Sensitivity (@ 1 kHz): 110 dB SPL/mW
- Impedance (@ 1 kHz): 300 Ohms
- Maximum Input Power: 1000 mW
About Headworn Microphones at Sound Productions
Small but mighty, headworn microphones are designed specifically for versatility, portability, and for delivering accurate sound without distracting your audience.
Versatility is a cornerstone of every headworn microphone, making the possible applications limitless. They’re ideal for public speaking environments including lecture halls, classrooms, business conferences, live broadcasts, and houses of worship. Singers and actors can enjoy freedom of movement on the stage. Instructors in active environments (think fitness trainers or presenters at how-to seminars) can clearly convey information while keeping their hands free for demonstrations. Because most headworn mics are designed with the mics placed at the end of repositionable cables, you can adjust the mic placement to exactly capture the sound you want.