Audix’s DP7 7-Piece Drum Mic Kit includes a D6 Kick Drum Mic, a i5 Snare Drum Mic, a D4 mic, 2 D2s Rack Tom Mics, 2 ADX51 Overhead Mics, & accessories for a full drum kit.
The DP7 professional drum microphone pack from Audix represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.
Recognized industry-wide for exceptional performance and consistency, Audix VLMTM dynamic mics manage the transients of the drums at close range while the condensers capture the cymbals and a stereo image of the entire kit from overhead. The D6 will help provide the earthshaking lows and the attack of the kick; the i5 will reinforce the depth and crack of the snare; the D2 and D4 will pick up the attack and overtones of the toms, and the ADX51 overheads will pick up the hi-hat, cymbals and the ambience of the entire kit. With the DP7, drums will maintain their sound integrity and critical presence, regardless of the size of the room and PA system. Also included are four D-Vice rim mount clips for the snare and tom microphones, and three heavy duty tension fit microphone clips for the other three microphones. Everything is conveniently packaged in a rugged, foam-lined aluminum road case for safe keeping when the microphones are not in use.
The D6 KICK DRUM MICROPHONE is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets in stage, studio and broadcast applications.. The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance. The D6 has a tailored frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB. The D6 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. Transformerless design, low impedance and balanced output allow for interference-free performance even with long cable runs. Lightweight, compact, and easy to position, the D6 is manufactured with a precision machined aluminum body, black anodized finish, steel mesh grill and gold plated XLR connector.
The D2 RACK TOM MICROPHONES are an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets, and brass in stage, studio, and broadcast applications. Transformerless design, low impedance, and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.
The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction. This instrument mic has a wide frequency response of 68 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB. Manufactured with a precision machined aluminum body, durable black anodized finish, dent resistant steel mesh grill and gold plated XLR connector, the D2 is lightweight, compact and easy to position. Transformerless design, low impedance, and balanced output allow for interferencefree performance even with long cable runs.
The i5 ALL-PURPOSE INSTRUMENT MICROPHONE is equipped with a VLM™ diaphragm for natural, accurate sound reproduction on a live stage, in the studio, and in broadcast applications. The i5 instrument microphone is characterized with a cardioid pickup pattern for isolation and feedback control. With a wide frequency response of 50 Hz – 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion. The i5 instrument microphone is sturdy, compact, and easy to position. The i5 dynamic instrument mic is manufactured with a precision cast zinc alloy body, dent resistant steel grill, durable black E-coat finish and gold plated XLR connector.
Known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments, the ADX51 CONDENSER MICROPHONE is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. Characterized with a uniformly controlled cardioid polar pattern, the ADX51 is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz – 18 kHz, the ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter at 150 Hz. Easy to position, durable, and manufactured to high standards and tight tolerances, the ADX51 has a precision-machined brass body, durable black E-coat finish, steel mesh grill, and gold plated XLR connector.
Audix DP7 Features
- All-in-one solution for miking drums
- Instrument-specific mics for optimal results
- Rugged Audix quality
- Great for stage and studio
- Dflex clips for easy positioning
- Road case
- All mics designed, machined, assembled & tested in the USA
- D6 Kick Drum Microphone1
- i5 Snare Drum Microphone1
- D4 Professional Dynamic Instrument Microphone1
- D2 Rack Tom Microphones2
- ADX51 Overhead Microphones2
- DVICE Rim Mounts4
- DCLIP Microphone Clips3
- MC1 Microphone Clip1
- WS81C Windscreens2
- Aluminum Road Case1
- "How to Mic Your Drums" DVD1
- D6 Kick Drum Microphone
- VLM Capsule
- Transducer Type: Dynamic
- Frequency Response: 30 Hz – 15 kHz
- Polar Pattern: Cardioid
- Output Impedance: 280 ohms
- Sensitivity: 0.8 mV / Pa @ 1k
- Capsule Technology: WLM Type E
- Off-Axis Rejection: >20 dB
- Maximum SPL: =144 dB
- Power Requirements: None
- Connector: 3-pin XLRm
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
- Materials / Finish: Machined Aluminum / Black Finish
- Weight: 8.9 oz (254 g)
- Length: 4.6 inches (117 mm)
- 5 year warranty
- D2 Rack Tom Microphone
- VLM Capsule
- Transducer Type: Dynamic
- Frequency Response: 68 Hz – 18 kHz
- Polar Pattern: Hypercardioid
- Output Impedance: 280 ohms
- Sensitivity: 1.2 mV / Pa @ 1k
- Capsule Technology: VLM Type B
- Off-Axis Rejection: >30 dB
- Maximum SPL: =144 dB
- Power Requirements: None
- Connector: 3-pin XLRm
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
- Materials / Finish: Black Hard Coat
- Weight: 4.5 oz (128 g)
- Length: 3.9 inches (100 mm)
- 5 year warranty
- i5 Dynamic Instrument Microphone
- VLM Capsule
- Transducer Type: Dynamic
- Frequency Response: 50 Hz – 16 kHz
- Polar Pattern: Cardioid
- Output Impedance: 280 ohms
- Sensitivity: 1.6 mV / Pa @ 1k
- Capsule Technology: VLM Type B
- Off-Axis Rejection: >23 dB
- Maximum SPL: =140 dB
- Power Requirements: None
- Connector: 3-pin XLRm
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
- Materials / Finish: Zinc Alloy / Black Finish
- Weight: 8.7 oz (248 g)
- Length: 5.6 inches (141 mm)
- 5-year warranty
- ADX51 Condenser Microphone
- Switches for -10 dB pad and bass roll-off
- Transducer Type: Pre-Polarized Condenser
- Frequency Response: 40 Hz – 18 kHz
- Polar Pattern: Cardioid
- Output Impedance: 100 ohms
- Sensitivity: 17 mV / Pa @ 1k
- Capsule Technology: Black Electret GV Diaphragm
- Off-Axis Rejection: >15 dB
- Maximum SPL: =132 dB
- Power Requirements: 9-52 V Phantom
- Connector: 3-pin XLRm
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
- Materials / Finish: Brass / Black Finish
- Weight: 6.5 oz (184 g)
- Length: 6.3 inches (160 mm)
- 3 year warranty
