Countryman B6 Omnidirectional Lavalier For Audio Technica | Hirose 4 pin (AN) (Fixed) | Standard Gain | Black
Countryman B6 Omnidirectional Lavalier For Audio Technica | Hirose 4 pin (AN) (Fixed) | Standard Gain | Black
SoundPro Item: 95240 | Part Number: B6W4FF05BAN
Usually ships in 5-7 business days
- Swappable Protective Caps Shape Frequency Response And Match Other Microphones
- Aramid-Reinforced Cable Construction Provides World-Class Durability Through Daily Use
- Exceptionally Low Handling Noise Keeps Movement Artifacts Out Of The Signal
- Moisture And Makeup Resistance Supports Placement In Hair Or Directly On Skin
- Removable Caps Allow Quick Cleaning Or Replacement In The Field
- Available In Multiple Gain Levels To Suit Speech, Theater, And High-SPL Vocal Applications
- Compatible With A Wide Range Of Audio Technica Wireless Transmitters
The Countryman B6 is the smallest lavalier microphone in the world, measuring just one tenth of an inch in diameter, yet it outperforms microphones many times its size. Sound designers, RF techs, and production engineers working in theater, broadcast, houses of worship, and general AV applications rely on it precisely because its compact profile allows placement in hair, on skin, or under costume without affecting performance. Exceptionally low handling noise means movement artifacts that plague larger lavs are a non-issue, making the B6 the go-to choice when talent is active on stage or in the field.
Rugged construction backs up the audio performance. The aramid-reinforced cable delivers world-class survivability through the rigors of nightly changeovers and touring schedules. Swappable protective caps resist makeup, sweat, and moisture in daily use and are removable for cleaning or cleaning or replacement, extending the service life of each mic. Those same caps let engineers tune the frequency response to match a specific application or blend the B6 with other microphones already in a rig.
The B6 family for Audio Technica spans a wide range of connector types, gain options, and colors, giving system integrators and production teams the flexibility to configure exactly the right mic for each transmitter, performer, and stage environment. Multiple gain levels cover everything from standard speech reinforcement to the demanding SPL levels of operatic vocals, with configurations available in both fixed and detachable connector styles to match existing infrastructure and quick-change workflows.
Specifications
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