Countryman E6 Earset Cable For Audio Technica | Hirose 4 pin (AT) (2mm) | Cocoa
Countryman E6 Earset Cable For Audio Technica | Hirose 4 pin (AT) (2mm) | Cocoa
SoundPro Item: 109225 | Part Number: E6CABLEC2AT
Usually ships in 5-7 business days
- Snap-Fit Connection To E6 Earset Eliminates Soldering For Fast Cable Swaps
- Aramid-Reinforced Cable Construction Withstands Repetitive Flexing In Live Production
- Available In 1mm And 2mm Duramax Diameters To Match Concealment Or Durability Needs
- Multiple Hirose 4-Pin Connector Styles Cover A Wide Range Of Audio Technica Transmitters
- Multiple Color Options Support Discreet Routing Against Skin Tone Or Wardrobe
- Modular Design Lets Teams Carry Spare Cables Without Replacing The Mic Element
- Not Compatible With E2 Cables, Ensuring Correct Fit For E6 Earset Systems
Sound engineers, theatrical audio teams, and broadcast technicians who rely on the Countryman E6 Earset need a reliable cable path between the mic element and their transmitter or hardwired system. These replacement cables are purpose-built for that job. They snap securely into the E6 Earset connector rather than requiring soldering or full mic replacement, which means a technician can swap cables at the rack between sets or scenes without interrupting workflow. The cables are not interchangeable with E2 cables, so matching the correct series is essential for a secure fit.
Across the group, cables are available with 1mm standard aramid-reinforced construction or 2mm Duramax aramid-reinforced construction, giving engineers the choice between a lower-profile cable for concealment under costumes or a heavier-gauge option built for high-wear touring applications. Hirose 4-pin connector variants cover AN-style and AT-style pinouts as well as the screw-down cH-style ATCH termination, spanning a wide range of Audio Technica AEW, ATW, and ESW transmitter bodies. Multiple color options allow the cable run to be matched to skin tone or wardrobe for discreet placement on stage, in broadcast studios, or at installed worship and conference venues.
Unlike hard-wired earsets where damage to the cable requires replacing the entire microphone, the modular E6 design lets production teams carry spare cables as inexpensive insurance against failure. This approach reduces downtime and long-term replacement costs for facilities and touring rigs that depend on consistent wireless microphone performance.
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