
- Mic Preamp ConnectorFemale XLR Pin 2 Hot; Electronically balanced/unbalanced
- Mic Preamp Input Impedance 1.9 kΩ
- CMRR >85 dB from 20 Hz to 3 kHz, >70 dB from 3 kHz to 20 kHz
- Instrument Input Connector Tip-Sleeve ¼” Jack
- Input Type (instrument) Unbalanced
- Instrument Input Impedance 500 k Ω
- Max Input (instrument) +21dBu unbalanced
- Preamp Insert Connector Tip-Ring-Sleeve ¼”, RF filtered
- Preamp Insert Type Unbalanced, Tip = send, Ring = return
- Line Outputs (Preamp & Compressor/Limiter) Connector Male XLR and Tip-Ring-Sleeve ¼” (Pin 2 and Tip hot)
- Line Outputs (Preamp & Compressor/Limiter) Type Servo-balanced/unbalanced
- Line Outputs (Preamp & Compressor/Limiter) Impedance Balanced 30 Ω, unbalanced 15 Ω
- Line Outputs (Preamp & Compressor/Limiter) Maximum Output Level > +21 dBm (into a 600 ohm load)
- Compressor Sidechain Insert Connector Tip-Ring-Sleeve ¼”, RF filtered
- Compressor Sidechain Insert Type Unbalanced, Ring = output, Tip = input
- Compressor Sidechain Insert Impedance 1 kΩ (output), 50 kΩ (input)
- Vacuum Tube Type 12AU7A / ECC82
- Vacuum Tube Grid Power Supply +250V DC
- Vacuum Tube Heater Power Supply +12V DC
- Frequency Response (Mic Input) 20 Hz to 50 kHz, +0/-1dB, 40 dB gain
- Frequency Response (Instrument Input) 30 Hz to 70 kHz, +0/-1dB, unity gain
- THD+N (Mic In to LIne Out) 0.25% typical at 0 dBu out, 1 kHz, 40 dB gain
- THD+N (Instrument In to Line Out) 0.2% typical at 0 dBu out, 1kHz, unity gain
- Equivalent Noise Level Typically > -123 dBu with a 150 Ω source load, 22 Hz to 22 kHz
- Noise Floor Mic Insert to Comp Output<-93 dBu, unity gain, EQ flat and no gain reduction
- Preamp Function Switches/ControlsInstrument Input Selects between microphone XLR input and front panel ¼” instrument input
- Preamp Function Switches/Controls+48V Sends +48 VDC through 6.81 kΩ resistors to pins 2 and 3 of the microphone input
- Preamp Function Switches/Controls20dB Pad Attenuates the microphone input by 20 dB
- Preamp Function Switches/ControlsPolarity Invert Reverses pins 2 and 3 of the microphone input XLR
- Preamp Function Switches/Controls80 Hz Low Cut: Enables an 80 Hz, 12 dB/octave high pass filter in the microphone and instrument signal path
- Preamp Function Switches/Controls: Gain Control Range -∞ to +55 dB for Microphone Input; -∞ to +40 dB for Instrument Input
- Preamp Function Switches/Controls: Post Tube Attenuation -∞ to 0 dB
- Preamp Function Switches/Controls: Peak Indicator Illuminates RED when the Preamp is within 3 dB of clipping
- EQ Low Frequency 100 Hz, Low-pass shelving filter
- EQ High Frequency 10 kHz, High-pass shelving filter
- EQ Mid Frequency Sweepable from 100 Hz to 8 kHz
- EQ Function Switches/Controls: Narrow Selects the “Q” of the MID Frequency EQ. “OUT” position Q = 0.9; “IN” position Q = 2.9
- EQ Gain (All Bands) Sweepable from –15 to +15 dB
- Compressor Threshold Range -40 dBu to +20 dBu
- Compressor Threshold Characteristic Selectable OverEasy™ or Hard Knee
- Compressor Ratio Variable 1:1 to ∞:1; 60 dB maximum Compression
- Compressor Attack/Release Modes Selectable Manual or Auto
- Compressor Manual Attack Time Scalable program-dependent; Typically 400 dB/msec to 1 dB/msec
- Compressor Manual Release Time Scalable program-dependent; Typically 4000 dB/sec to 10 dB/sec
- Compressor Auto Attack Time Program-dependent, typically 15 ms for 10 dB, 5 ms for 20 dB, 3 ms for 30 dB
- Compressor Auto Release Time Program-dependent, typically 120 dB/sec
- Compressor Output Level Control Range -20 dB to +20 dB
- Compressor Peak Indicator Illuminates RED when the Compressor/Limiter is within 3 dB of clipping
- Limiter Type dbx PeakPlus™
- Limiter Threshold Range -4 dBu to + 22 dBu (off)
- Limiter Ratio ∞:1
- Limiter Attack and Release Program-dependent
- Power Supply Universal switch-mode
- Operating Voltage 100 – 240 VAC, 50/60 Hz
- Power Requirements 20 Watts
- Fuse T2.5AL 250V
- Turn-On Time Approximately 2 seconds
- Dimensions (H x W x D)3.5 x 19 x 8 inches (88.9 x 482.6 x 203.2 mm)
- Weight 8.1 lbs (3.7 kg)
- Shipping Weight 11.0 lbs (5.0 kg)
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